“I never met Lotta, but I do remember 56 Sparks Street, I do remember that voice.”
In 2009, more than 50 events were held coast to coast to mark the 100th anniversary of the birth of Dr Lotta Hitschmanova (1909-2009). In Ottawa, USC Canada (now SeedChange) organized a special “Lotta 100” event to honour their founder.
The M.C. for this event was Bob Carty (1950-2014), an award-winning CBC documentary producer and justice-seeking singer-songwriter.
As a tribute to Lotta during his introduction, Carty leads the audience in the singing of his haunting anthem of hope, “Desert Eyes.”
It is no surprise that a high percentage of the Angus Reid survey respondents (57%) would like to see Terry Fox on the next $5 bill. It is, however, very surprising to learn that Lotta scored so very low (9%) on this survey, and even more surprising that “Quebec residents are also more likely than others to choose Lotta Hitschmanova.”
From the 1950s to 1970s, humanitarian Dr. Lotta Hitschmanova was arguably the most recognizable woman in Canada, a groundbreaking female leader and role model working in a male dominated society. It comes as no surprise, then, that so many of her supporters were exceptional women in their own rights, who identified with Lotta in so many ways. 

I read with interest Randall Denley’s Ottawa Citizen column,
A bust of Lotta currently resides on the wall beside the entrance to 56 Sparks. Imagine what it would be like to have a
Let’s take a tip from the Oscar Peterson memorial at the National Arts Centre: his music can be heard alongside Ruth Abernethy’s amazing sculpture.
This wonderful testimonial about Lotta Hitschmanova was published today in the 